You may call me Helga

Here be a quick selfy shot with the new wig.So what do you reckon? My initial impression is that it is too blonde, but then I'm use to seeing my own hair colour.

The front part forces the front sections forward, so I've pulled them back. Aside from colour, the style of wig will work for a number of the roman styles with a distinct centre part. Something a bit like these:

I've also done some work on the brown wig and the hot water straightening technique suggested by Myna has worked a treat. I'm still debating whether to try and dye the blonde hair using acrylic ink. I did find another long dark auburn wig fairly cheap online and bought that the other night. Hopefully it will turn up in the post soon (Australian supplier so should be fairly quick).

Wigstock

I will get to the UK shoe tour at some point, but I'm a lazy sod and the photos are on the other computer.

So back to other activities. Rowany Yule is fast approaching (Dec 8th). Mr B will be getting Knighted at Yule so the house has been a hive of pre-knighting ceremony prep. This has mostly involved experiments with Roman military costume such as creating a subermalis (worn between a tunica and lorica muculata), in particular trying to figure out how pterges were made. Current thoughts are woven strips and you can see some of Mr B's experiments with inkle loom weaving and combo inkle loom and tablets on his flickr site. He's in the progress of making a proto-subermalis for Yule itself using twill tape for pterges as we're not going to be able to weave enough strips in time.



With Mr B going Roman for Yule that means I'm dressing to match. I've decided it's time for another Roman experiment and plan to try out a few ideas for a tunica (which at present require a decent dry day where wet fabric will dry quickly, damn humidity and rain)



I also means I need a new hairstyle. I have short hair, so when I do Roman, I wear a wig. My poor brown synthetic wig is starting to look a lot worse for wear. I've discovered that you can apply plenty of heat to synthetic hair to style in curls, but they are a bugger to unstyle. I'm currently typing this while on a break from the tedious job of untangling and straighting the wig so I can re-style it. This involves a lot of Johnson & Johnson baby untangle hair spray (Thanks to a tip from Mistress Portia, this is working a treat), a wide tooth comb, a straightening iron and a lot of swearing. It is losing handfuls of hair all over the place so I think this next styling will be it's last.

On the plus side, I bought a new wig. I finally found one that doesn't have a fringe. The downside is it is nordic blonde, which I'm not entirely sure I can pull off (at least not without Mr B calling me Helga). I wonder if you can dye synthetic wigs? Anyone got any suggestions on this? (Myna - are you out there?)

Back to the biff

I know this my A&S blog and I've been absent for a while, but the thing I've been looking forward to the most after exams has been getting back into biff.

So after no fighting since February, last night I unearthed the armour bag from the garage. Dusted off my gear (LOTS of dust). I got Mr B to fix the new bascinet I bought late last year, but hadn't actually gotten to wear yet. It needed the camail sorted so I could actually get the helm over my head.

Tonight I was all primed to go to Fighter practice when the heavens opened and we had a lovely spot of thunder, lightning and rain. Not to be dissuaded easily, Mr B and I put on our kits and had a spot of biff in the backyard in the rain.

And damn it felt GOOD!

Stepping Through Time - Out in Paperback

I just found Stepping Through Time available in paperback from Oxbow Books in the UK for 25 pounds! This book is a must have for the serious period shoe aficionado.

For those who haven't encountered this gem:

Stepping Through Time: Archaeological Footwear from Prehistoric Times until 1800 by Olaf Goubitz, Carol van Driel-Murray and Willy Groenman-van Waateringe

Drawing on 25 years' experience as a conservator of leather, Goubitz presents a typological catalogue of footwear dating from 800-1800 AD. The study is based on Goubitz' analysis of an important assemblage of shoes recovered from excavations at Dordrecht in the Netherlands but the volume's aim is to offer guidance for the identification of shoes found on sites across north-western Europe. In addition, contributions from van Driel-Murray and Groenman-van Waateringe examine evidence for shoe types in prehistoric Europe and the north-western provinces of the Roman Empire, periods which inevitably have left less evidence. The fully illustrated catalogue follows a comprehensive discussion of shoes styles and technology including height standards, iconography, material, patterns, stitches, soles, the identification and dating of fragments and conservation. The volume should prove a useful tool for Roman and, especially, medieval historians and archaeologists.

I've spent many happy moments perusing Duchess D's hard back copy. The hard back was pretty pricey and damn near impossible to get your hands on. The paperback at 25 pounds is serious cause for celebration.*

*I am prepared to admit that this may have been available for ages and I'm just slow on the uptake due to the lack of contact with the real world while I've been studying (which I'm still meant to be doing...I just get distracted by books).

Almost there

Almost out of study. A quick teaser of things to come:

• The UK trip - photos and many happy shoe moments!
• The completion of the 2nd blackwork cuff
• I'm sure there will be more once my brain returns

In the meantime, here is a blatant plug for my A&S competition, to be held at the Feast of the Four Winds - Saturday 17th November, get your butts there with an entry.

Four Winds A&S Competition - 2007

New entry and scoring criteria, plus more prizes!

The goal of the competition is still to produce a head-to-toe costume, a complete "look" for your choice of style.

Entry requirements
At least 75% of the entry must not have been previously entered in a Four Winds competition. So if you made something this year, but didn't enter it, you can enter it next year. This should give people a bit more time to get pieces together and include items they've made previously.

There is no restriction on the amount of the entry that is your own work, but you must indicate which items have been purchased or otherwise created by someone else. You will not receive as many points, but it will still contribute to your overall score.

Scoring system

- Components of the outfit /50
o Undergarments (chemise, smock, hose, brays etc..) /10
o Outer garments (Gown, tunic, coat, etc..) /10
o Footwear (shoes, boots, sandals etc..) /10
o Headwear (head coverings, hair styles, adornments etc..) /10
o Accessojewelryellery, belts, partlets etc..) /10
- Documentation /10
- Authenticity /10
- Creativity / Presentation /10
- Complexity /10- Workmanship /10
Total score: /100

Entrants will also be asked to indicate whether they are 'beginners' or 'experienced'. Beginners are those who are making their first attempt at a particular style or technique, whereas experienced entrants are those who already have a good level of skill. You decide what level you're at and the judges will take this into consideration when scoring your entry.

The prizes
- First prize - for the overall best entry the prize is still an SCA membership or a Rowany Festival ticket. The winner will also receive a bell (the traditional prize for and A&S competition)
- Encouragement prize - To encourage more beginners to have a go, the prize for the best entry from a beginner will be a subscription to the Lochac A&S magazine 'Cockatrice'.

As putting together an entire outfit is a big effort, all entrants will receive a token to keep.

Good luck and I hope to see your entry at the Feast of the Four Winds in 2007

Art's Whirlwind UK Shoe Tour plans

Well I'm now in that brief break between sessions, which means I'm shortly off to the UK to do the whirlwind shoe tour.


So far, the tour schedule looks roughly like this:

Thursday 28th June - Depart Australia

Friday - Land in London

Saturday - Train up to York.

Sunday and Monday - York - Hang with best friend, do Jorvik centre, York Museums, whatever else takes our fancy

Tuesday and Wednesday - Hadrian's Wall, Vindolanda, Roman Army Museum

Thursday - York - Hopefully side trip to Royal Armouries in Leeds

Friday - Train to London - Portobello Road and mundane shopping

Saturday and Sunday - London - V&A Museum, Museum of London, British Museum, Wallace Collection

Monday - London - SCA shopping at the list of places courtesy of Duchess D. Depart for Australia Monday evening

Wednesday 11th July - Arrive back in Australia.


Why York? Well, my best friend lives in York and the main purpose of this trip is to see her. However, any excuse is a good excuse to get in some shoe research (and other things of course).

We've emailed a number of places and will hopefully get an appointment to view the collections up close.We will, of course, take oodles of photos, with measuring tapes to show scale etc..

We interrupt your regular viewing

With a quick announcement that work and study have eaten my brain and I've temporarily become a zombie slave to the higher education sector.

So I will be taking a leave of absence from the SCA for a while (because you should never sew or fight without a brain*).

Normal programming is scheduled to resume in November.

*Yes, you technically CAN do these things without a brain and some people do, but just because you can doesn't mean you should.

Canterbury Faire

Canterbury Faire was absolutely wonderful. I didn’t really know what to expect, but it turned out to be the most enjoyable event I’ve been to in ages. It was just what I needed. A good boost of “this is what the SCA is really all about”.

I have photos from our trip up on Flickr here, but we forgot to take photos for the most part so the collection is somewhat biased towards hedgehogs and yurts.

So what was cool about Canterbury Faire? On the A&S front, SHOES! I know I have a thing about period shoes, but there were a) lots of period shoes at CF and b) people who like making period shoes. I got to meet two fellow shoe aficionados in William de Wyke and Master Llewelyn ap Daffyd and happily set my brain to “sponge” to absorb as much info about shoe construction as possible. I’ve come to shoe construction from the costuming angle so I hadn’t really grasped the intricacies of how leather behaves and some of the stitching techniques and materials I’d seen in diagrams made not much sense to me.

I now have all kinds of info about how the tanning method affects the stretchiness of leather, what sort of the thread to use, how to make that thread using linen and a ball of gunk, why beeswax is your friend for watertight seams, how the whole boars bristle/fishing line thing works for tunnel stitching, how to awl holes for tunnel stitching, why mirror polished awls are your friend.

I had my new calcei pieces with me, with the intent of stitching them up at CF. I got one done, but the toe area just wouldn’t turn out, despite wetting the leather. William and I spent some time pondering what we could do. Turns out the leather I’d used was chrome tanned, hence the lack of stretchiness when wet. We looked at the stitching. William suggested that the seam might work better with a different stitching method, which I thought sounded interesting so next thing you know the scissors are out and the seam is being cut open. Master Llewelyn walked past at that point and advised that while there is the myth of “Mistress Laurel Seam-Checker” that one did not in fact have to open up other people’s seams and re-sew them in order to be considered as a future candidate. All in good fun. I think the new seam possibly works better. I need to find some more information about how the roman calcei were done up. I’ve always done a criss-cross lacing out of habit rather than any evidence that this was how it was done.

I’m going to the UK in July to visit Dr Krys in York and will also take the opportunity to go up to Vindolanda and look at their shoe finds. The photos are nice, but I really want to get up close and look at how the seams are done.

A number of us “shoe-folk” ended up talking about forming a Guild of Cordwainers and Cobblers to promote period footwear. Until Canterbury Faire I didn’t know the difference between a Cordwainer and a Cobbler. Now I do. Cordwainers made shoes from new leather. Cobblers were only allowed to repair shoes using leather from old shoes (hence the phrasing “cobbling” something together). I'm looking forward to the new Guild.

So on the "to-do" list of shoemaking for me is:
- figuring out how to make lasts (wooden models which allow you to stretch and fit a shoe around), which is something I’ll be enlisting the aid of Mr B for in the future. Once you've got a last, making shoes becomes a whole lot easier and you can swap lasts with other people and make shoes for each other.
- Making my own waxed linen thread using dry spun linen and a ball of gunk (which I'm hoping Miss D managed to smuggle back into Australia). I need to get the recipe to make my own ball of gunk.
- Learning to attached the thread to a bit of fishing line so I can do tunnel stitching.
- Do some non-Roman shoes, like the 16th Century Hollandish ones I did the pattern for but haven't put together yet.

Buttons!

The watchcoat that I started last year is finally finished. It was mostly done for last Festival, but didn't have any front fastening so I was just wearing it with a belt. It was still tremendously warm and useful for throwing over tights and shirt early in the morning.

I've been doing the buttonholes slowly throughout last year. I'd been avoiding making the buttons until I found a source of small wooden discs the size I wanted. Turns out that making covered buttons is not as tricksy as it seems and has provided me with something to do while home with the flu for most of this week. The end result is, I now have a watchcoat complete with buttons and buttonholes.

The buttons are made from wooden discs (about the size of a 10 cent coin) covered in the same fabric as the coat. Because the fabric is wool and rather thick the shank of the buttons is fairly wide, but it doesn't seem to affect how the buttons do up or sit when done up.

The button holes were hand done (in button hole stitch of course) using a matching wool thread.

Only remaining thing to do is decide if I want to put a stay tape in at the back or just let it be belted in.

I plan to make another watch coat in the future, but probably not before Festival. I have promised to help my fabulous stunt double make one before Festival so she does not freeze.

We're off to Woodstock: When banners go wrong

After attempting to deal with the dye bleed (spot clean, re-gutta, re-dye) I then got dye bleeds in different places so decided to just live with it.

The Final Frontier for the banner project was steam fixing the dye. I'd bought steam fix dyes on the advice that they produce the nicest colours without loosing the suppleness of the silk. The instructions were to roll the silk up in brown paper, then coil and place in a steamer (standard vegie steamer in my case, which I was assured works fine). The big warning was "Don't let the silk get wet or it will end in tears".

So after a long quest for brown paper (harder than you might think - I eventually found some rolls at a Newsagent for "covering school books"), I was ready. I rolled my silk up in the brown paper (I had skinny rolls so had to use three long strips that overlapped), coiled it up in the steamer and put it on to steam.

At this point it would really have been a good idea to:
a) read the instructions on the bottle of dye a bit more carefully
b) not attempt to do A&S projects while having the flu (impairs judgement no end and my brain had gone slightly squishy after running around town looking for brown paper, but at times like this you never remember that perhaps you should not be doing anything that needs good mental acuity)

So the instructions on the bottle were "after painting onto silk, let dry for 6 hours then steam for 1-3 hours". I mis-read and steamed for 6 hours.

Remember the warning about don't let the silk get wet while steaming? I'd been very careful about making sure the steamer basket didn't touch the water in the base, but 6 hours in a steamer produces a lot of condensation and the rolled up brown paper silk parcel was a tight fit.

So, it got wet and the end result was a banner that would be perfect if we we're off to a Woodstock re-creation society, but not quite the look I was going for.

The reason why the dye must not get wet during the steaming is that steam fix dye, once fixed, is fixed rather permanently. The instructions said to wash in cold water to rinse out excess dye, which I did. I then gave it a soak in "run away" to see if that would possibly remove the dye and leave the gutta. That dye is pretty firmly set. The photo above is after all the soaking.

It did not end in tears, however. Mr B had done a little banner down the narrow end of the banner in the spare silk and that end didn't get as wet so it only had a few little splotches. It looks nice and the colours came out really nicely.
So we'll chalk this one up to experience and go back to the drawing board and start again and get a larger steamer this time and read the instructions properly.